In 30 years of activity he has traced his own path to jazz, modelled along the Mediterranean shores. He started with E' Zezi from Pomigliano d'Arco, then to artists from his city from the most diverse classes, from Nino D'Angelo to Bisca, and then finally as a solo artist. On album - among the many
Lavorare stanca: Tenco prize as best dialectal album in 1998 - and live, always carrying his saxophone, as if it was a dangerous weapon. He has also worked in cinema: for Mario Martone (L'amore molesto), Davide Ferrario (Figli di Annibale) and Gabriele Salvatores (Amnesia). A talent that can truly be defined volcanic.